If we weren’t already blubbing by the end of Pixar’s neurological coming-of-age loveliness, the filmmakers got us with their final note dedicating the film to “our kids”, with the plea that they “never grow up”. Sniff.

Seen it? Here are some of the Easter Eggs it contains. And here’s director Pete Docter talking to The Dissolve about what didn’t make it to the screen, why Joy was unappealing at first, and an insight into the studio’s “brain trust” meetings.

The latest Terminator franchise entry — despite the endorsement of James Cameron — sees Arnold taking a bit of a beating, both from our armchair critics and on-screen. Here’s a little insight into how the effects wizards spent a year creating one of the film’s centrepiece fight scenes. Always with a sense of humor, Arnold has been out and about promoting the film, working the crowd and only making a few people cry.

Speaking of easter eggs, there were plenty in what turned out to be a pretty nostalgic return to Isla Nublar. Do you prefer to read or to watch?

“I’m not mad I saw it” might be the most spot-on review so far. Or David Ehrlich’s “like staring into the abs of god”.

Paul Rudd’s superhero turn is upon us; early reactions suggest Michael Peña for MVP.

“Seriously this movie is everything you expect it would be from the trailer and worse… please go and watch Kingsman: The Secret Service again.” —Andrew Amphlett

“Aside from the fact that this is a comedy, this is a fully realized spy film, with impressive action, and a coherent spy narrative… Also […] takes the Bechdel test and throws it out the window. Feig and McCarthy have cracked the code; to make women equal to men in films, just treat them like human beings.” —Ferdosa

“This tasteless dinosaur massacre full of stock characters gone stale and poorly-rendered CGI, brought to you by Mercedes.” —goldenageof_

“Has any movie ever better expressed the disingenousness of Hollywood marketing their brutally violent (but PG-13!) movies to kids than Trevorrow has done right here?” —Dave Vonderhaar

“While the magic and wonder that I tend to associate with the Archers isn't missing here, it's more subdued in favor a quiet gentleness. The landscape of this small Scottish isle is populated with lovable eccentrics lovingly realized. The people are photographed in soft light and shadows, which frame a story about class pretensions and unexpected love, but that story hardly seems like the point, serving to contribute to a pastoral feeling as people discuss ambitions of changing the world of falconry or tell folk tales of curses which may or may not come true. Wendy Hiller and Roger Livesey create a relationship which is, above all things, polite, empathetic, and kind. This sort of thing is all too often missing from more modern romantic comedies, which instead are driven by selfishness. This is a film where kindness, empathy, courage, and ultimately magic can lead people to love and happiness.” —Hannah

Marriage for all in the United States of America! Get into some queer cinema to celebrate.

Not all marriages are built to last, so here’s a list of favorite Jennifer Garner movies.

The Quentin Tarantino universe, in detail.

Richard Linklater’s Jewels in the Wasteland is a great series run by our pals at Austin Film Society. Can’t be in Austin? Enjoy the series vicariously through their list.

All the films seen in or mentioned on Lost.

British suburbia … and suburban nightmares.

A list inspired by Taylor Swift’s ‘Bad Blood’ and a list of films directed by women for your next gender-led movie night.